**** EDITED**** Link to the rest of the party now works!
Fancy
a drink? Those of you who read this blog for the feminist rantings might want
to run off elsewhere for the day – or not. You might want to sit down, grab a
stiff one and join the fun.
Today I’m piling on on the Kinky Cocktail Party which has been organised by Kristina Lloyd to launch the blog tour for her new
novel, Undone, which centres on a cocktail bar. Checking out both the book and
the rest of the antics going on all over the Web on the theme today is strongly
recommended.
So I
picked Screwdriver as a cocktail, even though I’m more of a pint-of-cider type,
because I fancied talking about science, research and technology in erotic fiction.
I am
an absolute bollock when it comes to mechanical, practical stuff. I had trouble
changing lightbulbs until I started living alone in my late 20s and got
deservedly mocked for trying to make visitors do it for me. However, this
didn’t stop me having various goes at writing sci fi stories in my teens, and
even having one published in the late, lamented Erotic Stories some time in the
90s. You don’t have to understand the precise working procedures of the
internal combustion engine to have your heroine jump into a car and drive over
to the house of the person she fancies fucking the arse off tonight. You do,
maybe, need to know the order in which one switches off the handbrake, looks in
the mirror, tunes the radio and puts the car into fifth gear, or whatever if
you are going to mention these details because getting them wrong will make
you look a bit of a dipstick. But given
that the majority of readers not only know how to drive cars but do the basic
list of actions involved in starting a car and driving it away so frequently
that they hardly think about them, it’s actually a bit strange to itemise every
stage of the process when writing a story that’s predominantly about sex and
other human interactions.
With
sci fi, or steampunk, or fantasy, you’re making it all up anyway, but it helps
to think it through and make your making-up comply with your story’s internal
logic. A story-universe full of horny goblins and Merrie England naughty
peasants is not going to have its conflict resolved convincingly by someone
Googling the problem. If there’s a bit of your hard science and hardcore BDSM
tale of interplanetary buggery where someone needs to fix the landing pods, you
might need to involve some sort of Alien Beans instead of Magic Woo Beans for
this to work.
Either
way, you can’t get by without a little research. Be aware of the classic tropes
(and the relevant laws of time, motion, gravity, energy etc) whether your
subject matter is spooks or spaceships. Writing about vampires, for example,
means deciding in advance whether or not they have an issue with garlic and
religious iconography and, quite probably, acknowledging the choice you made
somewhere within the story given that, like driving a car, most of your readers
will have some sort of idea of how to get rid of all those pesky biters.
I’m
currently working on a steampunk story which features an orgasm-powered train.
I did my research, or some of it anyway, at a steam museum. No, I didn’t offer
to demonstrate my theory.